Nominated for 3 Academy Awards!


Rated R/ 119 Minutes
Directed by: Craig Gillespie
Cast: Margot Robbie, Allison Janney, Sebastian Stan


  • Sunday, February 25:  (1:30), 4:15, 7:00
  • Monday, February 26 - Thursday, March 1:  (4:15), 7:00

Based on the unbelievable, but true events, I, TONYA is a darkly comedic tale of American figure skater, Tonya Harding, and one of the most sensational scandals in sports history. Though Harding was the first American woman to complete a triple axel in competition, her legacy was forever defined by her association with an infamous, ill-conceived, and even more poorly executed attack on fellow Olympic competitor Nancy Kerrigan. Featuring an iconic turn by Margot Robbie as the fiery Harding, a mustachioed Sebastian Stan as her impetuous ex-husband Jeff Gillooly, a tour-de-force performance from Allison Janney as her acid-tongued mother, LaVona Golden, and an original screenplay by Steven Rogers, Craig Gillespie's I, TONYA is an absurd, irreverent, and piercing portrayal of Harding's life and career in all of its unchecked--and checkered--glory.

Smart and funny, ‘I, Tonya’ attempts some tricky moves, nails them all


Richard Roeper, Chicago Sun-Times

“I, Tonya” is kitschy and smart and funny and insightful, and sometimes sobering. It reminds us that one of the many sad things about Tonya Harding’s life story is Harding never realized she didn’t have to be the villain, the late-night punch-line, the object of so much derision and mockery.

She could have been a real-life, female “Rocky” on ice. She could have been the People’s Champion.


Female skating legends were beautiful athletes who projected an almost regal air, from the reign of the glamorous Sonja Henie through Peggy Fleming, Dorothy Hamill, Janet Lynn, Katarina Witt, et al. From demeanor to costume to makeup to choice of music to knowing how much to play to the crowd and the judges, there was a certain way of doing things.

And then along comes Tonya Harding, clomping onto the ice in clownish makeup and garish costumes hand-sewn by her mother, attacking her routine to the sounds of ZZ Top’s “Sleeping Bag” — and knocking the wind of out the skating world by becoming the first woman to nail a triple axel.

We just might have loved Tonya if the rogue’s gallery of abusers, miscreants, sycophants and clowns surrounding her had given her the least bit of encouragement to consider the possibility she was actually something quite special.

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